If you liked the time-travelling artist, Helen Lundberg’s Double portrait of the artist in time (1935) is the thing for you.
It is played on the same paradox. How can the little girl with the budding shoot pose in front of a painting of herself in her blossoming twenties?
The shadow (also appearing in Bailly’s painting as his wife’s ghost) seems here more polyvalent and opaque — Is it the artist’s? Her older self perhaps, older than both her representations? Or might it not be her ancestors’?