Commenting on this self-portrait he produced in 2012 to raise funds for another documentary on himself (Lynch Three), David Lynch explained to the New York Times, last month: “It’s a portrait portraying my love of wood.”
As part of the same article (incidentally, on self-portraiture), the notoriously eclectic artist was commissioned a further self-portrait in a form of his choosing. He came up with the–“very Lynchean”–photo below.
(Every self-portrait has a few fundamental questions at its core — What relationship does the artist-as-creator have with the artist-as-subject? Do the two find a balance? Or are they struggling against each other? And if they are, who is winning?)